Overview
From “Men in Black” to “Ford v. Ferrari,” François will recount how his creative journey over the past 25 years—working in the art departments of 40 films—has revealed recurring lessons that have helped him harness the stress of lightning-paced feature film schedules to maximize creativity and efficiency; and grow as a designer and creative thinker.
Objective
The evolution of a designer’s portfolio reveals how changing technologies have evolved the narrative design process, while also maintaining the underlying foundations of production design, and creative problem solving.
Target Audience
Illustrators, graphic designers, art directors, 2D/3D set designers or other creatives interested in the fast-paced narrative design process for feature films.
Things Audience Members Will Learn
Insight into the many facets of production design for feature films and how it has changed, and how it has stayed the same.
